Oil On Canvas, Real Flavor of Old Masters

All Joseph Mallord William Turner 's Paintings
The Painting Names Are Sorted From A to Z

Prev   1   2   3   4   5   6   Next
ID Image  Painting (From A to Z)       Details 
55063  
Construct of number four, Joseph Mallord William Turner
  		 Construct of number four   mk239 1911 Oil on canvas 159.5x250.5cm
55139  
Constructure number 8, Joseph Mallord William Turner
  		 Constructure number 8   mk239 140x201cm
55190  
Continue, Joseph Mallord William Turner
  		 Continue   mk239 1935 oil on canvas 81x100cm
55178  
Control, Joseph Mallord William Turner
  		 Control   mk239 1929 oil on canvas 35x49cm
55067  
Cover, Joseph Mallord William Turner
  		 Cover   mk239 1911 Watercolour 27.7x21.9cm
55068  
Cover, Joseph Mallord William Turner
  		 Cover   mk239 1911 Watercolour 27.9x21.9cm
55166  
Cover, Joseph Mallord William Turner
  		 Cover   mk239 28x21.5cm
55043  
Cow, Joseph Mallord William Turner
  		 Cow   mk239 1910 Oil on canvas 95.5x105cm
68562  
Crossing the Brook, Joseph Mallord William Turner
  		 Crossing the Brook   Crossing the Brook by J. M. W. Turner, 1815, oil on canvas, 193 ?? 165 cm. Currently housed in the Tate Gallery.
24468  
Crossing the brook (mk31), Joseph Mallord William Turner
  		 Crossing the brook (mk31)   1815 Oil on canvas 193x165cm
73150  
Crossing the Brook by, Joseph Mallord William Turner
  		 Crossing the Brook by   1815, oil on canvas, 193 X 165 cm. cyf
71868  
Crossing the Brook by J. M. W. Turner, Joseph Mallord William Turner
  		 Crossing the Brook by J. M. W. Turner   Crossing the Brook by J. M. W. Turner, 1815, oil on canvas, 193 x 165 cm. Currently housed in the Tate Gallery.
91524  
Cumberland, Joseph Mallord William Turner
  		 Cumberland   1798(1798) Medium oil on canvas Dimensions 91,5 x 122 cm cyf
89349  
Das Forum Romanum, fur Mr. Soanes Museum, Joseph Mallord William Turner
  		 Das Forum Romanum, fur Mr. Soanes Museum   1826(1826) Medium oil on canvas Dimensions 145,5 x 237,5 cm cjr
89158  
Death on a pale horse, Joseph Mallord William Turner
  		 Death on a pale horse   c. 1825(1825) Medium oil on canvas Dimensions Height: 597 cm (235 in). Width: 756 cm (297.6 in). cjr
75047  
Deluge, Joseph Mallord William Turner
  		 Deluge   English: The Deluge, oil painting in the Tate Gallery, London Date 1805 cyf
54869  
Dentist, Joseph Mallord William Turner
  		 Dentist   mk238 1808 Oil on canvas
55185  
Depression, Joseph Mallord William Turner
  		 Depression   mk239 1933 Watercolour 47.3x66.8cm
87917  
Der Genfer See von Montreux aus gesehen, Joseph Mallord William Turner
  		 Der Genfer See von Montreux aus gesehen   Date 1810(1810) Medium Oil on canvas Dimensions 105,4 x 165 cm cjr
89753  
Der Park Petworth: Im Hintergrund die Kirche von Tillington, Joseph Mallord William Turner
  		 Der Park Petworth: Im Hintergrund die Kirche von Tillington   c. 1830(1830) Medium Oil on canvas Dimensions 63,5 x 139 cm cjr
31835  
Details of Mortlake terrace:early summer morning, Joseph Mallord William Turner
  		 Details of Mortlake terrace:early summer morning   mk76 Painted in 1826 Oil on canvas 36 5/8x48 1/2in
3219  
Dido Building Carthage, Joseph Mallord William Turner
  		 Dido Building Carthage   1815 National Gallery, London
78967  
Dido Building Carthage aka The Rise of the Carthaginian Empire, Joseph Mallord William Turner
  		 Dido Building Carthage aka The Rise of the Carthaginian Empire   Dido Building Carthage aka The Rise of the Carthaginian Empire (painting - oil on canvas) Date 1815(1815) cjr
40655  
Dido Building Carthage or the rise of the Carthaginian Empire, Joseph Mallord William Turner
  		 Dido Building Carthage or the rise of the Carthaginian Empire   mk156 1815 Oil on canvas 155.5x23.2cm
89757  
Die Chain-Pier von Brighton, Joseph Mallord William Turner
  		 Die Chain-Pier von Brighton   c. 1828(1828) Medium oil on canvas Dimensions 71 x 136,5 cm cjr
87200  
Die funfte Plage von agypten, Joseph Mallord William Turner
  		 Die funfte Plage von agypten   Date 1800(1800) Medium Oil on canvas Dimensions 124 x 183 cm cjr
91970  
Die funfte Plage von Agypten, Joseph Mallord William Turner
  		 Die funfte Plage von Agypten   1800(1800) Medium oil on canvas Dimensions 124 X 183 cm cyf
87920  
Die Schlacht bei Trafalgar, von den Steuerbordbesanwanten der Victory aus gesehen, Joseph Mallord William Turner
  		 Die Schlacht bei Trafalgar, von den Steuerbordbesanwanten der Victory aus gesehen   Date 1806-1808 Medium Oil on canvas Dimensions Deutsch: 172,7 x 238,8 cm cjr
66583  
Die Teufelsbrocke St. Gotthard, Joseph Mallord William Turner
  		 Die Teufelsbrocke St. Gotthard   c. 1803-1804 76,8 x 62,8 cm
54844  
Disaster, Joseph Mallord William Turner
  		 Disaster   mk238 1805 Oil on canvas 172x241cm
87860  
Dogana und Santa Maria della Salute, Venedig, Joseph Mallord William Turner
  		 Dogana und Santa Maria della Salute, Venedig   Date 1843(1843) Medium Oil on canvas Dimensions Deutsch: 91,4 x 122 cm cjr
3211  
Dolbadern Castle, Joseph Mallord William Turner
  		 Dolbadern Castle   1799 Tate Gallery, London
55034  
Draw, Joseph Mallord William Turner
  		 Draw   mk239 1909 Oil on canvas 175.2x144.7cm
55099  
Draw, Joseph Mallord William Turner
  		 Draw   mk239 1915 Watercolour 15.7x23.6cm
55188  
Draw, Joseph Mallord William Turner
  		 Draw   mk239 1932 Oil painting 49x70cm
55071  
Draw of Circle, Joseph Mallord William Turner
  		 Draw of Circle   mk239 1911
55097  
Drea, Joseph Mallord William Turner
  		 Drea   mk239 1914 Oil on canvas 120x111cm
55091  
Dreaw with white line, Joseph Mallord William Turner
  		 Dreaw with white line   mk239 1913 25.8x34.5cm
52518  
Dutch Boats in a Gale, Joseph Mallord William Turner
  		 Dutch Boats in a Gale   1801 Oil on canvas, 163 x 221 cm
89868  
Ein gestrandetes Schiff, Joseph Mallord William Turner
  		 Ein gestrandetes Schiff   c. 1828(1828) Medium Oil on canvas Dimensions 70 x 136 cm cjr
56676  
eldsvada till havs, Joseph Mallord William Turner
  		 eldsvada till havs   mk248 turenr avgudade bavet ocb malade vid alla vaderlekar. skeppet som star i centrum for danna katastrof ar orontes. hon gick inte under i nagon strm utan sedan ett stearinljus bytt antant en bog med balm. turner later later roken ocb lagorna virvla runt med bavet ocb bimlen till en enda valdig virvelstrom. massan av bimmelska vasen, tills betraktaren med en rysing inser att detta ar de olyckiga passagerarna som forlorar kampen mot de bada forbarskande elementen eld ocb vatten.
55175  
Enter the dark, Joseph Mallord William Turner
  		 Enter the dark   mk239 1928 48x31.8cm
55109  
Exercise, Joseph Mallord William Turner
  		 Exercise   mk239 1916 Watercolour 23x29cm
55080  
Expression, Joseph Mallord William Turner
  		 Expression   mk239 1911 14.5x21.7cm
54976  
Factory, Joseph Mallord William Turner
  		 Factory   mk238 1840 Watercolour 24.3x30.8cm
55078  
Fairyland, Joseph Mallord William Turner
  		 Fairyland   mk239 1911-1912 Watercolour 30.1x20.5cm
24495  
Festive Lagoon scene,Venice (mk310, Joseph Mallord William Turner
  		 Festive Lagoon scene,Venice (mk310   Oil on canvas 91x121cm
55203  
Fifteen, Joseph Mallord William Turner
  		 Fifteen   mk239 1938 34.5x50cm
54835  
Fifth tragedy of Egypt, Joseph Mallord William Turner
  		 Fifth tragedy of Egypt   mk238 1800 125x183cm
76766  
Fighting Temeraire, Joseph Mallord William Turner
  		 Fighting Temeraire   Date 1838(1838) Medium Oil on canvas Dimensions 91 ?? 122 cm (35.83 ?? 48.03 in) cyf
54937  
Fire, Joseph Mallord William Turner
  		 Fire   mk238 1834 Watercolour 23.4x32.7cm
73321  
Fire at Sea, Joseph Mallord William Turner
  		 Fire at Sea   oil on canvas, by the British artist J. M. W. Turner. 171.5 cm x 220.5 cm (67.52 in. x 86.81 in.). cyf
89765  
Fire on the Sea, Joseph Mallord William Turner
  		 Fire on the Sea   c. 1834(1834) Medium oil on canvas Dimensions 171,5 x 220 cm cjr
55038  
First draft, Joseph Mallord William Turner
  		 First draft   mk239 1910 Oil on canvas 71x71cm
55040  
First draft, Joseph Mallord William Turner
  		 First draft   mk239 1910 32.9x32.9cm
55064  
First draft, Joseph Mallord William Turner
  		 First draft   mk239 1911 Oil on canvas 94.5x139cm
55093  
First draft, Joseph Mallord William Turner
  		 First draft   mk239 1913 Watercolour 27.6x38.1cm
55100  
First draft, Joseph Mallord William Turner
  		 First draft   mk239 1913 Watercolour 23.8x24cm
55121  
First draft, Joseph Mallord William Turner
  		 First draft   mk239 1919 Watercolour 24x19cm
55132  
First draft, Joseph Mallord William Turner
  		 First draft   mk239 1923 36.8x36cm
88015  
Fischen am Blythe-sand, die Flut setzt ein, Joseph Mallord William Turner
  		 Fischen am Blythe-sand, die Flut setzt ein   1809(1809) Medium Oil on canvas Dimensions 89 x 119,5 cm cjr
54831  
Fisher, Joseph Mallord William Turner
  		 Fisher   mk238 1796 Oil on canvas 91.4x122.2cm
54837  
Fisher, Joseph Mallord William Turner
  		 Fisher   mk238 1802 Oil on canvas 91.4x122cm
89325  
Fishermen at Sea, Joseph Mallord William Turner
  		 Fishermen at Sea   1796(1796) Medium oil on canvas cyf
3210  
Fishermen at Sea (The Cholmeley Sea Piece), Joseph Mallord William Turner
  		 Fishermen at Sea (The Cholmeley Sea Piece)   1796 Tate Gallery, London
24457  
Fishermen at sea (mk31), Joseph Mallord William Turner
  		 Fishermen at sea (mk31)   1796 Oil on canvas 91.5x122.4cm The Tate Gallery,London
24458  
Fishermen at sea (mk31), Joseph Mallord William Turner
  		 Fishermen at sea (mk31)   1796 Oil on canvas 91.5x122.4cm
90424  
Fishermen Cleaning and Selling Fish, Joseph Mallord William Turner
  		 Fishermen Cleaning and Selling Fish   1807(1807) Medium oil on canvas Dimensions 134,5 x 179 cm cyf
31831  
Fishing boats entering calais harbor, Joseph Mallord William Turner
  		 Fishing boats entering calais harbor   mk76 Painted c.1803 Oil on canvas 29x38 3/4in
38145  
Fishing Boats Entering Calais Harbor, Joseph Mallord William Turner
  		 Fishing Boats Entering Calais Harbor   mk29 c.1803 Oil on canvas 73.7x98.4cm
82566  
Fishing Boats with Hucksters Bargaining for Fish, Joseph Mallord William Turner
  		 Fishing Boats with Hucksters Bargaining for Fish   Fishing Boats with Hucksters Bargaining for Fish (1837-1838) by JMW Turner, Oil on canvas, 174.5 x 224.9 cm, Art Institute of Chicago Date 1837-1838 cjr
24467  
Fishing upon Blythe-sand,tide setting in (mk31), Joseph Mallord William Turner
  		 Fishing upon Blythe-sand,tide setting in (mk31)   1809 Oil on canvas 89x119.5cm
24459  
Fishmarket on thte beach (mk31), Joseph Mallord William Turner
  		 Fishmarket on thte beach (mk31)   1802-1804 Oil on canvas 43.2x58.4cm
54953  
Flammulated sky, Joseph Mallord William Turner
  		 Flammulated sky   mk238 1840-1845 30.5x48cm
54838  
Flood, Joseph Mallord William Turner
  		 Flood   mk238 1805 Oil on canvas 143x235cm
55095  
Flood, Joseph Mallord William Turner
  		 Flood   mk239 1914 Oil on canvas 108.5x140cm
55145  
Fly, Joseph Mallord William Turner
  		 Fly   mk239 1924 Watercolour 30x40cm
54849  
Forest, Joseph Mallord William Turner
  		 Forest   mk238 1805 Watercolour 25.7x36.8cm
55032  
Forthright, Joseph Mallord William Turner
  		 Forthright   mk239 1909 Oil on canvas 32.9x44.6cm
54913  
Fountain, Joseph Mallord William Turner
  		 Fountain   mk238 1822 Watercolour 18.4x14cm
54876  
Freezing Morning, Joseph Mallord William Turner
  		 Freezing Morning   mk238 1813 Oil on canvas 113.x6174.6cm
62552  
Frosty Morning, Joseph Mallord William Turner
  		 Frosty Morning   1813 Oil on canvas, 114 x 175 cm Tate Gallery, London This Yorkshire scene has an air of numbing chill, with rime glistening on earth and wild plants. Turner's English subjects still looked to the Dutch painter Aelbert Cuyp (1620-1691), but he was demonstrating his own contribution to this tradition and the benefits of study direct from nature. Author: TURNER, Joseph Mallord William Title: Frosty Morning Form: painting , 1801-1850 , English , landscape
54936  
Gate, Joseph Mallord William Turner
  		 Gate   mk238 1832 14.2x19.1cm
55163  
Gaze, Joseph Mallord William Turner
  		 Gaze   mk239 1926 Oil on canvas 111x105cm
55049  
Gentlewoman, Joseph Mallord William Turner
  		 Gentlewoman   mk239 1910 Oil on canvas 110x109cm
54921  
Georgian, Joseph Mallord William Turner
  		 Georgian   mk238 1822 Oil on board 68.5x91.8cm
42759  
Glacier and source of the Avyron, Chamonix, Joseph Mallord William Turner
  		 Glacier and source of the Avyron, Chamonix   MK169 1802-03 water Color on paper 68.5x101.5cm
77672  
Glaucus and Scylla, Joseph Mallord William Turner
  		 Glaucus and Scylla   '??Glaucus and Scylla??', 1841, oil on panel painting by Joseph Mallord William Turner, Kimbell Art Museum. cjr
80943  
Glaucus and Scylla, Joseph Mallord William Turner
  		 Glaucus and Scylla   1841, oil on panel painting by Joseph Mallord William Turner, Kimbell Art Museum Date 1841(1841) cyf
24465  
Grand Junction Canal at Southall Mill Windmill and Lock (mk31), Joseph Mallord William Turner
  		 Grand Junction Canal at Southall Mill Windmill and Lock (mk31)   1810 Oil on canvas 92x122cm
55115  
Gray, Joseph Mallord William Turner
  		 Gray   mk239 1917 Oil on canvas 25.4x28.5cm
55128  
Gray, Joseph Mallord William Turner
  		 Gray   mk239 1922 Watercolour 46.7x42.5cm
55149  
Gray, Joseph Mallord William Turner
  		 Gray   mk239 1924 48.9x33.8cm
55197  
Group, Joseph Mallord William Turner
  		 Group   mk239 1938 116x89cm
54931  
Hafulier, Joseph Mallord William Turner
  		 Hafulier   mk238 1832 Watercolour 13.8x18.7cm
54894  
Hall, Joseph Mallord William Turner
  		 Hall   mk238 1827 Watercolour 13.4x19.1cm
55152  
Happy construct, Joseph Mallord William Turner
  		 Happy construct   mk239 1924 Watercolour 35x23cm
55137  
Happy rise, Joseph Mallord William Turner
  		 Happy rise   mk239 1923 23.8x19.3cm
55211  
Harmonic, Joseph Mallord William Turner
  		 Harmonic   mk239 1942 114x146cm
24469  
Hastings:Deep-sea fishing (mk31), Joseph Mallord William Turner
  		 Hastings:Deep-sea fishing (mk31)   1818 Watercolour 39.8x59.1cm
Prev   1   2   3   4   5   6   Next
Joseph Mallord William Turner
English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.



USA Wholesale Oil Paintings, Stretcher Bars, Picture Frames & Beveled Mirrors